Forensic artist reimagines the Millers
Delivered through Cromarty Arts Trust’s funded artist-in-residency programme, Reimagining the Millers aims to promote community engagement and public interest in the life and legacy of Hugh Miller, whose birthplace cottage and museum in Cromarty is cared for by the National Trust for Scotland.
Dr Maria Maclennan is a Senior Lecturer in Jewellery and Silversmithing at Edinburgh College of Art (ECA), having enjoyed a decade-long career as an interdisciplinary designer, researcher, writer and artist. Her practice is rooted in the intersection of these disciplines with the fields of forensic science and human identification. Her PhD in Forensic Jewellery was the first research of its kind in the world to explore the use of jewellery as a method of forensic human identification.
Known internationally as ‘the world’s first Forensic Jeweller’, Dr Maclennan recently completed an MSc in Forensic Art and Facial Imaging. She was awarded the prestigious Cromarty Arts Trust Residency Prize in 2024 and spent a month in Cromarty working to produce a series of new artworks incorporating artefacts housed at Hugh Miller’s Museum as well as portraits and written descriptions.
Drawing inspiration from the forensic-art process of post-mortem depiction, a three-dimensional scan of Miller’s death mask was used as the basis for the creation of a hyper-realistic 2D digital colour portrait and a traditional 3D wax sculpture in full colour.
Debbie Reid, Visitor Services Manager at Hugh Miller’s Birthplace Cottage & Museum, took the mask to Dundee and saw the scanning process in action. She said: ‘Combining the older artefacts and paintings with modern technology, Maria has created a life-size bust of Hugh Miller. For the first time, this has been painted in full colour, adding a layer of realism to the piece. 3D prints of Hugh’s death mask and a miniature bust have also been made, which will allow visitors an up-close look at the famous Scot.
‘As well as reimagining Hugh Miller, we were also able to look at his wife, Lydia. She was influential in continuing Hugh’s legacy after his death and ensured his works were printed posthumously. A schoolteacher and writer herself, Lydia is sadly not well known now. With only one painting and a few written descriptions, the 2D portrait Maria has created allows us to share more about the life of this amazing woman.’
Maria’s art was displayed at Cromarty Arts Trust in December 2024 before being generously gifted to the National Trust for Scotland. The pieces are now proudly displayed in the museum, promoting public engagement with the life and story of Hugh Miller.
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